Since their manifestation, photos have played a massive role in human discourse and history. Its relationship with humanity must not be undervalued. Providing us with sensations, information and communication, imagery is a complicated and rich language that has seen its roots stem from simple carvings on gravel to tiny 1/96 inch pixels made on silicon chips, begotten by sand.
One facet is that they enhance human experiences by engaging with human sensations. Images can contribute to: one's trepidation and disquiet through embarrassment and chagrin depending on the context; evoking subconscious interlinkages based on one's unique archetype and psyche, fostering comfort or familiarity; they can even manipulate our views on distinct endeavours through devious and straightforward propaganda.
Additionally, the superfluously articulated English adage, 'A picture is worth a thousand words', is indeed complemented with equally superfluous truths. Certainly, intricate and universal ideas can be conveyed by a single sedentary image - more so than with appropriate syntaxes - providing a far more polished and robust comprehension of its meaning Vis-a-vis verbally combined account. Further, we can visualise, associate, appreciate and experience explicit contexts and times in history that otherwise would be challenging to cogitate, entertain and reflect without visual aids.
Finally, pictures can readily be used to render some facilitation and play the role as an ancillary for an eclectic crucible of deliberations between an abundance of wide-ranging interlocutors. Looked in particular ways, or deployed in specific manners, imagery can also change public perception on current issues, historical narratives, or substratum rudimentary credences. Moreover, they can cause misinformation through the accentuation of one intricacy, overshadowing the greater gestalt of a singular moment within space and time.
Verily, one must be cognitively sound and have been bestowed sturdy acumen to be able to occlude any casuistry, derived from an understanding of an image, to become common parlance for that image. This methodology would prove as stabilisers in identifying false from truth that the message within the image bears. This is ever more so the case if one desires to attain attachment closer to the kernel of a picture by understanding the context, the design, the purposes of its creation and other significant nuances.
These thoughts are far from exhaustive. The photos that pervade their meaning and understanding to their consumers certainly transcend anyone solely obtaining its truth and application towards its finer chalks on gravel or concerning its 8k high definition imagery carrying 33 million pixels. Hence the comparisons simply mirror that of true knowledge and wisdom from the photos in any given question. Transmissions can only ever be limited, based on the mechanism of the human experience: including photography, and even more so with the most elegant diction, humanity has offered.
Due to the ubiquitous areas of interest this website has for photos, it has been categorised to ease any burden of usability and navigation.